On today’s new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO PODCAST, Erik Woods presents music from some of his favourite scores written in 2022. This is part two of a four-part series. Today, you’ll hear selections by such composers as Zacarías M. de la Riva, Federico Jusid, Simon Franglen, John Williams, Nathan Johnson, Dominic Lewis, Bear McCreary, Trent Reznor and Atticus Ross.
Listen to the other parts of the series. PART ONE | PART THREE | PART FOUR
Enjoy!
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| Name |
Artist |
Album |
| Bathtub Chase |
M. de la Riva, Zacarías |
Tad the Lost Explorer and The Curse of the Mummy (Tadeo Jones 3: La Tabla Esmeralda) |
| Fight Tad! |
M. de la Riva, Zacarías |
Tad the Lost Explorer and The Curse of the Mummy (Tadeo Jones 3: La Tabla Esmeralda) |
| Opening Credits |
Jusid, Federico |
The English |
| A Chase Is On |
Jusid, Federico |
The English |
| Cornelia and Eli |
Jusid, Federico |
The English |
| The Fire Is Out |
Franglen, Simon |
Notre-Dame Brûle |
| End Titles |
Franglen, Simon |
Notre-Dame Brûle |
| The Journey Begins (includes excerpt from Sonata No. 48 in C Major) |
Williams, John / Haydn, Joseph |
The Fabelmans |
| Theme from Glass Onion |
Johnson, Nathan |
Glass Onion: A Knives Out Mystery |
| The Puzzle Box |
Johnson, Nathan |
Glass Onion: A Knives Out Mystery |
| Andi's Theme |
Johnson, Nathan |
Glass Onion: A Knives Out Mystery |
| Baah Humbug Motherf**ker |
Lewis, Dominic |
Violent Night |
| HO HO HO |
Lewis, Dominic |
Violent Night |
| A Son's Path |
McCreary, Bear |
God of War: Ragnarök |
| Remembering Faye (feat. Eivør) |
McCreary, Bear |
God of War: Ragnarök |
| Ragnarök |
McCreary, Bear |
God of War: Ragnarök |
| The Great Wide Open (Reprise) |
Reznor, Trent / Ross, Atticus |
Bones and All |
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I thought part 1 of this series could not be surpassed, but this apart 2 has done it, with just great selections from each of the selected films.I particularly like the Notre Dame piece which I have played many times now, and closing my eyes, the music is so much like the “James Horner sound”. I think Simon Franglen has done an amazing job with this score and Avatar, the way of water, and I look forward to hearing what he comes up with in the future, kind regards, David in the U.K.
Hi David. Thanks for your comment. Before he began working on Avatar: The Way of Water, Simon Franglen had a lot of detractors. I’m so happy he had the chance to refine his skills with OUTSTANDING scores for films like The Curse of Turandot and Notre Dame Brule. Those two projects really showcased his talent and the influence James Horner had on him. The strategy Franglen uses is similar to Horner’s. While melody is crucial, Horner’s work relied heavily on the proper orchestral colours to elicit the right emotions for any given film. In my opinion, Franglen has brilliantly adopted that strategy in his music, particularly in Avatar.
Thanks for listening and I look forward to more of your comment!
Cheers!